Goodreads is giving away five copies of Baby Dust between now and Sept. 15!
Go put your name in the hat!
Free Dewey Decimal posters download! Spruce up your classroom or library for the new year!
Last year the librarians at my daughter’s elementary school discovered I knew Photoshop.
This led to many projects, and this last one was so involved that we decided we would share the results with the entire library and teaching community.
What they needed: Modern, fresh-looking, easy-to-read posters on the Dewey Decimal system geared toward elementary school students.
So I designed 10 posters using legal, royalty-free photography and the terms that the librarians decided best fit the needs of the kinder-5th grade readers who would use them as reference.
They are PDFs designed on an 8 1/2 x 11 page so they are easy to print small and evaulate. We ran ours at 18×24. We got coupons online for Office Depot and ran the whole set of 10 huge color posters on glossy heavy stock for about $100 then laminated them on the school machine.
The easiest way to download the whole set of 10 is to click the link below and “save as” to your computer:
That zip file includes all 10 high-res PDFs.
But here is a chart of what the 10 posters look like.
The posters are free to use, but naturally illegal to sell! 🙂
Have fun and enjoy!
This time, we were at Target shopping for school supplies.
Elizabeth, the 9-year-old, wanted anything pink and got a new backpack and matching lunch box.
Emily, the 12-year-old, decided her old lunch box and backpack were perfectly fine and opted not to buy anything.
As we left, Elizabeth spotted some totally blinged-out scissors covered in colored rhinestones.
And thus, our sentences.
Emily: “School supplies aren’t supposed to be sparkly. You have to use them!”
Elizabeth: “Ooooh! They match my bag!”
SOMEBODY put a big X on my face!
In my own yearbook!
So yesterday in Lit Chat, we were discussing Ugly Duckling stories. I confessed that I was very much an U.D. as a child and had photo proof.
I don’t know what possessed me to try this modified Princess Leia hairdo on picture day (the pin in the coils hurt, so I went with them down), but I got ridiculed for it. It’s something I’ve never forgotten, but even though people called me “Dog Ears,” I wasn’t particularly scarred by it.
I broke out the 1980s era yearbook to scan the picture for LitChat. And found this.
Immediately I turned to the back of the yearbook, searching for anyone who signed in pencil. Only one. Hank P, my very first boyfriend. He had encircled his message, “To the greatest girlfriend I’ve ever had,” with pencil hearts. (Of course, I was the only girlfriend he’d ever had.)
Unlikely suspect. I wouldn’t have let him touch my yearbook after our Big Breakup anyway.
But in thinking about it, I am quite sure I didn’t see the X marking my spot at the time, which means it could only have been done after the fact. Someone in my own home.
Someone I trusted.
Wait, did I say trusted? Scratch that.
I seem to recall my yearbooks getting mixed up with his. Maybe he thought he was marking me out of his own book. Maybe he knew what he was doing.
The yearbook is coming with me when I visit home this weekend. Watch out, baby brother.
Stay tuned for the big confrontation…
Since Google+ opened the floodgates last weekend, people have been flocking to the new social media site, either because they are tired of ads and privacy issues on Facebook, or just to try the shiny new toy.
I have used groups on Facebook since I joined, so I have already categorized my friends by interest and privacy level. This has worked well for me, so I have been resistant to moving to Google+ just to access the circles feature.
But then, all the writers in the kid lit world started forming circles, and I decided to join the fray rather than be left behind.
Here are differences in the two platforms that have mattered to me:
- As of *right now*, people are sharing with their topical circles only on the subjects that they have in common. Writers talk about writing. Photographers share photographs. Very few cat posts, or where-I’m-eating posts, or general complaining.
- No ads. (Won’t last, but nice.)
- Ability to quickly and easily make your post have special formatting such as strikethrough (put a hyphen -on either side- of the words) or italics (put an underscore _on either side_) or bold (put an asterisk *on either side*)
- Ability to EDIT your posts. Whew! Facebook better get on that.
- Hangouts. Debbi Ohi and a few others are doing newbie hangouts so beginners can learn about this video chat feature.
- Circles. Of course, the circles are the big thing. Frankly, I think they don’t work. I’m not sure why I should put someone in a circle if they may not be listening to what I’m sharing, or why they should put me in theirs if I’m not going to pay attention to their shares. It’s backwards. But at this point, most people are mutual sharing, so it’s not critical. I have only today starting paying attention to who I’m dropping into circles, rather than madly adding everyone.
- People are creating directories of people who share specific interests. Photographer lists. Blogger lists. Librarian lists. GLBT Poets. People who create on the iPad. It’s been great finding new people who do what you do, like what you like. In fact, I started a list of Google+ members who are also part of Verla Kay’s Blue Boards for children’s writers.
What I don’t like about Google+
- Sorting problems. If I’m not on for a little while, the “people who have added you” builds up, and I can’t find my close local friends to get them added. I’m constantly being surprised by the people I’ve missed.
- Streams. I know sorting the streams can work, but mostly it’s too much noise. I already sorted my news feed on Facebook. I don’t find this to be any better, and I liked letting Facebook predict who I probably wanted to hear from based on my comment/like habits. I could always override that by changing my feed to “Most Recent.”
What Facebook does better:
- I miss pages. I have several of them, for my local business, for my iPad/iPhone app coming out, and others on topics that are dear to me. We can go to the page and talk about our topic without streams or unrelated content. When we’re on the miscarriage page, we talk about miscarriage. In the Google+ streams, we can still get an unwanted message like “The baby threw carrots on me” by someone with both a loss and a baby. No one posts about their babies on a miscarriage page because that’s what the page is for, as opposed to a stream for a circle you’ve been placed in but don’t know exists.
- I miss secret groups. I want to have a locked-down location to go and talk about a topic and know that it’s not going into unexpected streams or being reshared. People act like Facebook was evil on privacy. I’m having a much harder time with it on Google+, and so I share much less there.
- I miss knowing general things. I do. Yes, most of my friends are authors or photographers, and we should be talking shop so as not to bore people, but I like hearing that they found the perfect latte or got roses. It’s a personal choice. Google+ might evolve to this eventually.
I’m sticking to both for now, but I like Facebook more. I’m sad many people in this new romance period are not talking on Facebook at all, but I think they’ll be back.
I’ll go to Google+ once a day to see who is coming up on a book release or is having a frustrating revision, since the topics are currently so focused. But I’ll go to Facebook again and again to find the funny viral videos, the update on a friend in the hospital, and to complain about Google+. 🙂
Since I’ve been putting together so much information for members of my critique group on how to choose between self-publishing and traditional, and what to do first if you have decided to go either direction, I created a series of shorts on the Kindle on these topics. The process of formatting these shorts and getting them up was quite an ordeal.
Hopefully sharing what I’ve learned will help some of you get your Kindle books formatted with greater ease.
I read about ten blogs on this, posted to the Kindle community, and bought four Kindle books on the topic. But there are still glitches not everyone covers. This was my experience when everything finally worked, including a Table of Contents TOC file that would appear on the device itself as well as all images showing in the proper size, and no blank pages or strange indentions:
- Decide if you need to strip all formatting out first.
- Here’s the problem: if you already have a lot of formatting in the book (bold, italics, heading styles, paragraph style, inserted images), it’s going to take a long time to put it all back in by hand. If you did a printed version of the book, or an epub version already, you might want to weep at the thought of doing it all again.
- But if you don’t take the formatting out, the Kindle version may be a mess, and you’ll have to start over anyway.
- I look at it this way–if I think it will take me less than half an hour to put the formatting back in, I strip everything. If I used a lot of italics or other quirks that will be difficult to reintroduce, then I give it a go without stripping it all.
- So make that call. If you are going to strip it all, go to Step 2. If you are going to hope for the best, go to Step 3.
- Find a program on your computer that has plain text only. On PCs, you should have NotePad. On Macs you should have Text Edit on OS X or later. If not, Google “Mac plain text editor” and download one.
- Open your document and highlight and copy the entire thing. Paste it into NotePad or TextEdit.
- This is going to remove everything except the words, punctuation, and returns at the end of paragraphs. All images and hyperlinks and formatting is gone.
- Copy this newly stripped text and paste it into a new Word document.
- Turn on the “Show paragraph marks'” tool in Word so that you can see dots where the spaces are and paragraph marks. The button looks like this:
- The thing that makes the indents screwy on the Kindle is an extra space at the end of a sentence. Look for these. You can do a search and replace to remove any spaces followed by a paragraph (the symbol for a paragraph mark when you are search and replacing is ^p.) Replace them with just the ^p.
- Also look for two paragraphs in a row. Do a search for ^p^p and replace it with the single ^p.
- Put any italics, bookmarks, or hyperlinks that were stripped back into your document.
- Once those are fixed, you are ready to get the format ready to generate a table of contents that can be used by the Kindle.
- Use the Heading 1 Style to create both a prettier document as well as a TOC.
- Highlight each chapter heading and apply Heading 1 style. Don’t worry what it looks like just yet. Just apply them all.
- If you have sub heads, apply the Heading 2 style anywhere you want a second level of formatting. You will have the option to add these to the table of contents or leave them out.
- Reinsert any images. Use the “insert” tab and choose “picture” to navigate to the location of the image. Do NOT copy and paste images into your document. Click on them to resize. I made all mine three inches wide, letting the length fall wherever it should to stay proportional, and they were perfect on both Nook and Kindle. Now center them.
- Add any page breaks where you would like the Kindle to force a new page. You might want to do this after chapter headings, or before images, to make them fall in a better location. Add page breaks by selecting the “insert” tab and choosing “page break.” Do NOT hit a bunch of returns or spaces.
- Now, if you did not like the look of the Heading 1 or Heading 2 style, or even your normal body style, go ahead and change them now. Find the box with the style in it (they are across the top when you are in the “home” menu, and RIGHT click. Then choose “modify.” You will see the usual boxes come up to change fonts, paragraph style, indent, etc. Change it there and it will automatically update the style throughout your document.
- You are done with the Word document. If you have EVER used track changes on this document, go in to the Review tab and click “Accept all changes.” If you do not do this, the next step will have both the old text and the new text of anything you have ever changed in the document. (I’m saving you a week of my life here trying to figure out why my e-book kept getting worse each time I fixed it.)
- Save the file as a .doc file (.docx is no good for anything when doing e-pub.)
- At this point we branch again. Some people are happy to just upload the .doc file to the Kindle Digital Publishing (KDP) site and be done. This might work for you. It did not work for me. I wanted a TOC that you could access from the Kindle menu, and a .doc file will not do this.
- I also had blank pages, and my images did not show up correctly. In fact, the file was so large that the KDP uploader repeatedly crashed and gave me errors. My first book was actually a picture book, so it had many many images that had to be placed exactly with the text.
- If you find your .doc file is not working as is, or if you want that menu-driven TOC, then go to step 6. If you are ready to try an upload, go to Step 11.
- Open your .doc file and SAVE AS. This time change the “save as type” to save your file as a web file, FILTERED (*.htm, *.html)
- Do NOT move this file after you create it, as links were made to a nearby folder where your images and other data are stored. Mobipocket is going to need those in step 8.
- If you use a PC, download MobiPocket Creator. It’s free and you can find it here.
- If you use a Mac, download Calibre instead. Find it here. You ‘re on your own at this point, as I have only used MobiPocket. But read the MobiPocket instructions to see the general idea of what to do next.
- Open MobiPocket, and under “Import from Existing File,” choose HTML.
- Find the file you just created with the Save As on Word and import it.
- Click on “Cover Image” on the left and find the cover to your ebook. Click the update button below the image once it is imported.
- Click on Table of Contents on the left.
- You will get a set of forms to generate the Table of Contents. Where it says “tag name” and “first level,” type H1 in the box. This will make all the chapter headings you put in Heading 1 style be part of the table of contents. If you have subheads with Heading 2 style, then type H2 in the “second level” box. It will add those too.
- Click “Update.”
- Click the “Build” button in the blue bar across the top. This will create your e-book.
- If all goes perfectly, you get a happy green checkmark.
- If it doesn’t, you will get a list of errors. The most common error is that you moved that HTML file and it can’t find the images it is looking for. The second most common error is that you didn’t use proper heading styles in Word, so the H1 or H2 command was useless.
- You are ready to upload to the Kindle. Go to the Kindle Direct Publishing Web Site.
- If you have not created your account yet, do that. You’ll have to enter a lot of things I’m not going into here–the book title, author, description, as well as set your bank account for the royalty payments and set the price of your book. You can change that price on the fly, but books are settling in at $2.99 to $4.99. You can run a 99-cent special to start and change it later if you like. I personally only do 99 cents for short works. $2.99 kicks in the better royalty rate.
- CHECK your file. Download the Kindle reader for your PC or Mac or even your phone. Once it is loaded, double clicking the .prc file created by Mobipocket will automatically open your book on the Kindle reader. If you have an actual Kindle, by all means email or USB upload the .prc file to your device.
- When it is time to upload your book file, find the .prc file in the folder where you saved your Mobipocket version. Do not upload the .htm file. It was incomplete.
- Double check the file one last time in the previewer.
One problem I had is that when I tried uploading a NEW version of my book to the web site, it was not updating the previewer. I was still seeing an old version. Since I did not feel confident that Amazon was actually using the newest version of the book, and since the book was not on sale yet, I went ahead and deleted that book and started over. (Another five days of my life I’m sparing you, figuring out that it was Amazon’s problem, not mine, that the book wasn’t looking any better in their previewer.)
If you have a print version of the book that needs to match up with the new e-book, Amazon claims they will put them together on their own within a week. I’ll come back here in a week to update and let you know if that happened. Barnes and Noble has never gotten the Nook and print versions of our book together, as you can see here and here. Trust me, I’ve told them. Repeatedly. I finally just wrote a review of the paperback and said to go see it on the Nook.
Some day I might right a blog post about my epub creation experience for the Nook and iPad. It had problems (you MUST use Sigil), but was much less difficult than the Kindle.
Good luck with your book, and many happy sales!
Everyone knows established writers are going independent after turning down six-figure deals from publishers due to poor contract terms, especially for e-books.
And self-published writers have made millions on their own just to sign traditional deals.
But those are isolated incidents. What do those actions mean for you, the unpublished writer with a bunch of novels on your hard drive?
I’m going to run through the history of what has happened in publishing since March, and end with some advice on what you, the writer with a book ready to go, should do during these changing times.
Talking ’bout a revolution
If you aren’t aware of the change in attitudes that began a couple months ago, read the blog post that started it all, a dialog between established authors Barry Eisler and Joe Konrath comparing the new self-publishing model to traditional contracts (or, as they call it, “legacy” publishing).
Since the craziness began, more layers have been added. Agents began taking their authors’ back list titles, ones where the e-book rights had never been sold, and published them under an agency imprint, cutting the original publishing companies out of the deal.
Some of the agent deals were fine–15% as usual and well-defined costs coming out for covers and formatting. In-house editing was not an extra cost, the same as prepping a book for submission to houses.
Other deals were sketchy, with unusual percentages for the revenue split (50/50 of the net) with strange clauses about royalties being paid “after costs” without defining those costs.
Some authors worried that with agents jumping on the e-publishing bandwagon, they might not be as impartial when negotiating contracts with traditional publishers, since they could be publishing a promising e-book themselves.
And who would watch out for the authors’ interests in the contract if the agent was one of the beneficiaries IN the contract? In the UK, agents are considering changing their code of ethics to allow them to become publishers.
Publishing client work is currently a violation of agent ethics.
Then the publishers pushed back. Random House cut the agent out of an e-book deal, citing that the agent was now a publisher.
Forever, and ever, you pay
Soon, the issue of what the agents might do to earn their percentage when publishing e-books arose. Readers don’t know the agency names, and so their imprint carries no more weight than a self-published author. The agencies are having the book formatted and the cover made, but these costs are charged against royalties. The authors could hire people to do this at a fixed cost and not a forever percentage of their earnings. (Plus decide for themselves how much to spend.) Smashwords has a list of people who provide these very services.
With all this going on, some popular bloggers are insisting everyone dump their agents if the agents do e-publishing or if they are changing their contracts to add phrasing such as in perpetuity, which can mean your book will pay them even if they fail to sell it, and you decide to self-publish.
So what do you do if you have a book ready to meet the world? Query agents? If so, which ones? Those agencies that only go through traditional publishers or those that also have an in-house e-book option? How do you know if your agency agreement is safe, since agents seem to be increasingly covering their interests as well as yours?
Or do you go it alone? Put that book out there and hope for the best?
Dark days for writers
I belong to a couple writer forums, and panic seems to be setting in. The traditionally published authors defend their choice to go the regular route, even if they got poor e-book terms and little marketing support. They believe in the system and worry that thousands of crappy e-books clutter the market.
Even though most traditionally published books do not sell well and do not earn anything beyond the advance, the author did get money on the table and did not have to worry about editing, covers, or distribution.
If they had e-published, they would have spent their own money on the cover and formatting, worked a lot harder to get their book ready for the market, and probably lost money rather than letting the publishing company take the hit.
Because the bottom line is: most books don’t make money.
There, I said it.
If you want to make more per hour than the guy sacking your groceries, you’ve picked the wrong profession. You do it because you love writing and you have a story to tell.
And there is that chance, that teensy-but-very-real chance, that you will break out and make a lot of money.
The fact is, the odds are against you either way.
Both traditional authors and self-published authors break out and become hits. More often, both traditional authors and self-published authors work very hard, and their books go mostly unnoticed.
Check the hard numbers on sales of self-publishing authors. Will you be one of those who sells 60 copies in 6 months? Or will you be the lucky author who sells 30,000?
Then consider the agent route. You will most likely spend a year querying, possibly never signing with one, and even if you do, possibly never getting your book sold. You will have lost a year or two and be back at square one (possibly having signed an agency agreement that limits your options.)
But let’s say that goes perfectly. You sign an agent easily, they sell the book easily. Let’s look at what happens to your money even if you sell your book to a big publisher for $100,000 or more. You still can’t quit your day job.
I know this is too much information. I just wanted it all in one place. So now, the advice.
A Simple Plan
1. Query agents first, always.
If you succeed and find someone with a simple contract and huge enthusiasm for your work, you have an ally in this crazy world. Even if a few request your book but ultimately reject, you know you have something good–most of all, a query letter than can become your sales paragraph for your self-publishing venture.
If no one asks for anything, you still have information. Your query doesn’t work. Something’s wrong. You aren’t ready to self-publish because if an agent isn’t interested, most likely buyers won’t be either. You will put time and effort into the wrong part of process–publishing too fast rather than getting your book into good form.
2. Deciding not to sign
If you get lots of interest, but no one ultimately represents you, or if you feel the agent who is interested in you has a contract you can’t live with, has begun e-publishing, or just isn’t as responsive or as good a fit as you’d like, you’re in a good place. You can choose to go with a medium or small press and start the process again, or you can take your winning story idea and killer query to shape your self-published e-book.
3. If you’re ready to e-pub
So let’s say either the agent failed to sell the book, or you narrowly missed representation or turned it down. You can shelve the book and start another. Or go it on your own. Realize that the #1 factor in e-publishing success is having more than one book. Even if all you can squeeze out is an Amazon short that relates to the novel, get more than one thing up. If you have a series or similar books, get at least two ready so you have two chances to hit. The more spaghetti (well cooked, well seasoned spaghetti, mind you) that you can throw at the wall, the more likely something will stick.
4. How to e-pub
First, GET A GOOD COVER. It can vary from $50 to $800, but find someone who understands how to make a cover that
1. uses legal images
2. is eye catching at both thumbnail and full size
3. isn’t a blatant fail in design or font usage. YOU may not have an eye for this. In fact, you probably don’t.
Second, formatting. If you have a lot of technical know-how and a fair amount of spare time, learn the ropes yourself. I’ve seen some pretty unreadable e-books, not because someone didn’t pay to have it done, but because someone got an epub created and stuck it on all the e-readers without checking how it came out in the end. What looks perfect on the Nook can be a disaster on the Kindle (although if Amazon adds the epub format as is rumored, this will help.)
Whether you format that e-book yourself or pay to have it done, learn the difference between the Nook and the iBook and the Kindle. You can download all the majors to your computer without having the readers. Do not skip this step!
You’ve spent enough time here–now go! Off to QueryTracker to find agents. Then to Smashwords to learn about e-book formatting. Then into your published future, for better for worse, for richer, and hopefully not poorer.
Other Moms will be celebrating with their children, but lost their own moms or grandmothers this last year, making this the first Mother’s Day without them. I lost two grandmothers last fall myself.
I’m asking everyone I know to reach out to these people on Mother’s Day in a very simple way.
I have designed several digital cards that recognize that Mother’s Day often comes with mixed feelings. These cards emphasize peace and love for those who may not feel joyous on the holiday this year.
So choose the one that you think fits that person in your life who may be having a bittersweet Mother’s Day. Then right click to Save As and email it this weekend.
Feel free to upload them to Facebook if that’s where your friends are.
They are also already uploaded on Facebook if you just want to use the “share” feature. Find them on one of these pages
My Personal Facebook Page (You don’t have to be my “friend” to see them, but feel free to friend me!)
And bloggers, feel free to post them in your own blog posts to help them spread. They are free to use for personal use.
Even if you aren’t close to some of your Facebook friends, take note if you saw things happening to them this year. Do something. Remember. Reach out. It’s amazing what a difference such a simple thing can make.
I had no idea putting a book into the world was going to take up so much of my time!
But yes, Baby Dust will be out in October. January was copy editing. February was looking at covers. March was getting blurbs. April has been page proofs from the designer. February, March, AND April were attempts at author photos—-the worst! Can’t I use a cartoon instead?
Advanced Reader Copies will be coming in during May and heading out to reviewers.
Hopefully sometimes in June I can take a breather! (Ha!)
I’ll be back with pithy bits about my daughters and random flashes of failed insight very soon!
Elizabeth has been unique since well before she was born, surviving the loss of her twin when my water broke at only 10 weeks gestation during a flight between Switzerland and the US (the longest twelve hours of my life.)
Sometimes when life gets really difficult, when she’s having a “Bad Brain Day,” as we call it, to externalize her inability to think clearly or control her emotions, I hug her and tell her how thrilled we are that she’s here. We didn’t think we’d get any days with her at all. So even hard ones, where homework seems impossible, or, like a few weeks ago, when she had a seizure and threw up before the entire school at an assembly, are still good days. Any day with her in it is a good day.
We learned a few days ago that the manufacturer of the glue that holds on the electrodes during an EEG test wanted to use Elizabeth’s video as an educational tool for other parents. They had discovered, as we had, that there wasn’t a lot of footage of this, clear explanations about what happens when your child has to be wired for days at a time to monitor brain activity.
I can’t tell you how glad I am to have had the equipment I had that day to shoot the high definition video and stills to document our experience so that other parents would get a chance to calm their fears and those of their children. (And that I could keep from shaking too much as I hand-held the camera while she went through this.)
The video was reworked with an amazing song by Jonny Boston licensed through Triple Scoop Music. The company will be using it in several countries, and it is already up on their web site. I updated Elizabeth’s story, so others would have an idea of how she is doing. I can’t imagine living my life like she does–never knowing when or where or how a seizure will strike, what will be happening when she comes out of it, or who might have seen. She’s eight now. It’s a lot to manage. But she does great.
Here’s the newly spit-shined video. We’re going to put up another one soon–something FUN. She saw lots of kids on Amazon were upset that they couldn’t get their spinning plate juggling kits to spin, so we recorded her showing them how to do it properly (the kit took some modifications–all her ideas.) That’s my girl.